Tag Archive: Captain America: Civil War


This year’s already seen the release of three major superhero films and it’s hard not to get burnt out on their familiar tricks. But the release of the year’s fourth big budget superhero movie – X-Men: Apocalypse – proves that the genre still has some life in it. The X-Men franchise has always been a step above most other comic book franchises and that’s mostly because of their choice in cast and directors. This may not be the best film in the franchise (that title still belongs to 2014’s excellent X-Men: Days of Future Past) but this is still a great film filled with awesome visuals, great characters and memorable action. It’s easily the year’s best blockbuster so far and the best superhero movie to come along since its predecessor.

Thousands of years ago, Apocalypse (Oscar Isaac) rose to power as the world’s first mutant. He had the ability to transfer into different bodies whenever he wanted and this allowed him to absorb numerous powers from other mutants. But he was eventually buried at the base of a great pyramid and he stayed that way until 1983. When he once again awakens, he sets out to purge the world of any non-mutants by recruiting four followers that he imbues with great power: Storm (Alexandra Shipp), Angel (Ben Hardy), Psylocke (Olivia Munn) and Magneto (Michael Fassbender). As Apocalypse begins to cause mayhem and destruction around the world, it’s going to take Professor X (James McAvoy), Mystique (Jennifer Lawrence), Beast (Nicholas Hoult) and a bunch of younger heroes to stop him.

It’s a fairly simple story of good versus evil and a nice change of pace from the complex themes of other entries in the franchise. A lot of the film relies on the portrayal of the villain and Apocalypse is one of the most memorable supervillains to come along in quite some time. Although he may be unrecognizable in the role, Isaac’s performance is perfectly menacing and powerful, while the design of the character is memorable and kind of frightening. The fact that they achieved this look through makeup and avoided using CGI or motion capture adds such a deal of weight to the character. He really feels like a legitimate part of the X-Men world and this focus on practical effects is what makes Apocalypse so much more intimidating than other powerful supervillains that are created using digital effects (Marvel’s Thanos comes to mind). Although his character and motivations are somewhat underdeveloped, he’s still a villain that commands the screen.

Praise then must go to director Bryan Singer, who continues to prove that his entries are easily the best in this franchise. It’s actually pretty crazy that he’s able to balance so many different characters, all of whom are given their moments to shine. The story and structure is admittedly a little all over the place, but it never feels confusing or bloated, even with a nearly two and a half hour runtime. The X-Men films simply feel more grand and cinematic than the Marvel Cinematic Universe and the majority of this is in the hands of the director. It also doesn’t hurt things that Apocalypse is a really dark film, more so than most people would be expecting. Children are killed, men get their heads lopped off by Apocalypse and, in one stunning sequence, Magneto even tears apart Auschwitz in a fit of rage. It’s safe to say that you may want to think twice before bringing your kids to this one.

Another reason why this movie might not interest children is its general lack of action. Some fanboys might be disappointed by this, but I found the focus on characters and story, rather than action and explosions, to be refreshing. But the action that is here is still very well done and much more memorable than in any other superhero film so far this year. The final extended action sequence is commendable in how all of the characters are able to work together and really feel like a team. Singer’s able to make the action easy to follow and the final thirty minutes of this film are much better than the airport fight scene in Captain America: Civil War that everyone seemed to be raving about. But the best action in the movie once again comes from Quicksilver (Evan Peters), who uses his speed to rescue an entire school from an explosion. Set to the tune of “Sweet Dream” by Eurythmics, it’s funny, visually interesting and a heck of a lot of fun. The scene may be a retread of his standout sequence in Days of Future Past, but it’s a retread that I had a blast with.

This franchise has always featured a great cast and Apocalypse is no exception. McAvoy continues to grow into the role of Professor X, delivering a performance that fits right alongside Patrick Stewart’s, while never feeling like a simple impression. Fassbender’s Magneto is put through the emotional ringer in this thing and he delivers what might be his best performance in the trilogy as a result. Lawrence once again does a fine job with the role of Mystique, but her portrayal is nowhere near as good as Rebecca Romijn’s in the original trilogy. Newcomers to the team include Sophie Turner as Jean Grey, Tye Sheridan as Cyclops and Kodi Smit-McPhee as Nightcrawler. Out of the newcomers, Smit-McPhee is probably the best, although there’s something to be said about Turner’s ability to portray such a complex character.

Whereas the Marvel Cinematic Universe makes superhero movies, the X-Men franchise features films that just happen to be about superheroes. They’re superior in almost every way including visuals, story, score, performances and direction. Singer has great control over the material and his direction is so strong that it will make you wish he could direct every superhero film from now into the foreseeable future. As a fan of superheroes, these last couple years had me losing faith that this genre could wow me again. But, luckily, X-Men: Apocalypse is the superhero movie we’ve been waiting for.

X-Men: Apocalypse receives 3.5/4

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We all love superheroes, but sometimes less is more. After having been treated to some excellent superhero team-up films like The Avengers and X-Men: Days of Future Past, it’s become clear that simply throwing a bunch of different heroes into a single movie isn’t enough to impress anymore. It no longer feels like an event to have Iron Man fighting alongside Captain America and therein lies the problem with Captain America: Civil War. It’s a film that throws together more superheroes than we’ve ever seen together on the big screen, but it lacks an interesting story or memorable action to make anything standout. If this film had come out at the beginning of the recent superhero craze it probably would have felt incredible, but it’s hard not to watch this and feel numb to its effects.

In reality, this feels like two separate films that are mushed together and the two different storylines don’t always complement each other particularly well. The first major thread involves a disagreement that brews between Captain America (Chris Evans) and Tony Stark (Robert Downey Jr.). When a group of the Avengers accidentally end up killing several civilians in Lagos, the Secretary of State (William Hurt) proposes that all of the superheroes sign an accord that would prevent them from acting on their own free will. If they agree to sign this document, they would be under the control of the United Nations, who would give the Avengers orders when they see fit. Stark is in favor of signing this document, while Captain America strongly opposes it.

The other major focus of the movie involves Captain America trying to help his friend Bucky (Sebastian Stan), who has been reprogrammed by Hydra into the Winter Soldier. When the headquarters of the United Nations in Vienna is bombed, Bucky is the prime suspect, although Captain America is still determined to prove his innocence. Stark sees this attack as even more reason for the heroes to sign the accord, but he’s unable to convince Captain America. This leads to a standoff, with half of the Avengers siding with Stark and the other half siding with Captain America. It may not be an easy choice, but everybody is going to have to choose a side and stick to it.

While Civil War is being marketed as The Avengers 2.5, the focus of the film is still mostly on Captain America and Tony Stark. And you have to give Marvel credit for effectively working so many different characters into a single story, without it ever feeling like an overload. Admittedly, certain characters probably aren’t given the attention they deserve and a reveal involving Ant-Man (Paul Rudd) would have been so much more satisfying in his own movie, but things definitely could have been much worse. But even if the screenplay from Christopher Markus and Stephen McFeely is able to juggle so many different heroes, it’s all wasted on mediocre direction and a lack of vision from Anthony and Joe Russo.

The Russo Brothers have proven that they know how to film a big budget picture, but their inability to direct compelling action has become more apparent with each Marvel film they make. Their action sequences are too frantically edited, cutting way too often and refusing to let a scene breathe. In a sequence where Bucky grabs a motorcycle and hops onto it in one quick motion, the Russo Brothers cut together at least three different shots in less than a second and completely distract from what should have been a cool action moment. It’s this over-editing that creates a lack of coherence in most of these big action scenes; it’s often difficult to tell what is going on and what everybody is immediately doing.

But it’s clear that the majority of the Russo Brothers’ attention was on the big 17-minute airport fight between the two groups of heroes. And you would think that this would be the moment that dazzles the audience, making grown men feel like children again. Sadly, this isn’t the case and the extended fight sequence is blandly directed, weakly choreographed and generally uninteresting. This is an action set piece that hardly feels like an action set piece. If it wasn’t for the fan-favorite heroes at the center of this fight, hardly a single moment would feel memorable and nothing about it feels extraordinary. The Russo Brothers are certainly no Joss Whedon and the dullness of this big sequence has me worried about their involvement in the next Avengers sequel.

While the direction of this big sequence feels completely mediocre, there is one element that at least makes it somewhat fun to watch: Spider-Man. Tom Holland is a joy to watch as Spider-Man, perfectly capturing the sarcastic quips and fun nature of the web-slinging hero. It feels like casting a younger version of Spider-Man was a smart move and I can’t wait to see Holland further flesh out his character. It’s a testament to Holland’s performance that I’m much more excited for the upcoming Spider-Man: Homecoming than The Avengers: Infinity War. The other new addition to the cast is Chadwick Boseman as Black Panther. While he isn’t quite the scene-stealer that Spider-Man is, Black Panther is a welcome addition to the Avengers team. His unique costume and interesting background make him far more interesting than most of the other secondary heroes in the film.

The prospect of Iron Man and Captain America fighting was sure to excite Marvel fans, but the finished product is a disappointment that brings hardly anything new or interesting to the table. Remember that feeling of joy you experienced while watching The Avengers fight together for the first time? Well Captain America: Civil War has twice as many heroes doing battle with each other and it’s unable to generate even a fraction of that wonder or excitement. If all you’re looking to do is turn your brain off and stare at the screen while a dozen superheroes fight each other for a few minutes, this movie will scratch your itch. Beyond that, it’s sure to be forgotten by most when the summer movie season concludes.

Captain America: Civil War receives 2/4